Sumo Tournament Draws Huge Crowd
Ring Entry Ceremony Features Bouts Closing Monday at Memorial Hall Arena
Sumo (Japanese Wrestling) performances of the Eastern
and Western camps at the Memorial Hall arena, Asakusa Ward are a triumph
again for the wrestlers, who are stubbornly attempting to justify their
2,000 year old domineering role in the field of sports amidst challenging
changes that are sweeping the country.
The autumn main sumo tournament, the loud noise
of the radio is drawing capacity crowds of sports fans each day. The number,
nevertheless, falls short of any in the past. The four storied amphitheater
renamed Memorial Hall dedicated by American forces to athletes who died
in World War II, has a seating capacity of 16,000.
Each day between 9.30 a.m. and 5.30 p.m., several
spectacular bouts take place between the several teams of the Eastern and
Western camps the traditional participants in the tournament which will
draw to a close November 18.
The most spectacular show perhaps is the dohyo-iri
(ring entry), on which occasion the otherwise motionless crowd cheer and
yell as Haguroyama, the yokozuna (Champion of Champions) of the Western
Camp, enters the ring, claps his hands in the manner of a noble, stamps
his feet on the sand laid ring, and displays his muscles.
The issue between two contestants is decided by
one encounter - a matter of few minutes. There are hardly any cheers
from the breathless audience as the referee motions his commanding fan
toward the winner. The alert referee, who constantly interjects words of
encouragement in duration of the encounter, is ready to command defeat
also to one if any part of his body, except his feet, touches the sand.
There arise occasions which put the referee on the
horns of dilemma. An encounter ending in an certain manner brings forth
loud cat-calls from some of the spectators who back their favorite by calling
out his name as the winner. After consultation with each of the judges,
the referee reenters the ring and motions his commanding fan toward the
one whom the judges apparently decided to be the winner. The contestants,
who had withdrawn from the ring reenter simultaneously and the loser bows
toward the winner who accepts the salutation with a similar gesture.
The ring is set up on a square platform, made of
earth, upon which is laid a thick layer of sand. A circle feet in
diameter is marked with a boundary line. In the four corners of the platform
stand the four posts in a slightly slanting position carrying a beautiful
canopy on top. The posts are wound round with cloth of four colors, white,
red, black, and green, symbolic of the four seasons.
In this colorful ring perched in the center of the
hall exposed to full view of the spectators from all four stories, enters
a yobidashi (caller) with a fan spread in his right hand. Solemnly he faces
the east and calls out in his chanting voice the name of the next contestant
from the Eastern team. The caller then turns toward the West and similarly
calls out the name of the contestant from the Western camp.
The two large sized top-knotted wrestlers, with
their muscular bodies and large bellies, wearing a piece of cloth around
their waists and between their legs, approach near the platform and rinse
their mouth with purification water before making their entry into the
ring. The spectators are now holding their breaths as the contestants enter
the ring, bow to each other and embark upon their repeated performances
of watching postures, rising and then back to watching to study the weak
spot for striking. Finally they come to grips and in the exciting pandemonium
one of them is toppled out of the ring and down below the platform.